Much Ado About Nothing


Antic Disposition – Grays Inn Hall


Photograph by Scott Rylander

Ah Much Ado. This was my fifth production in five years and it was every bit as enjoyable as all the others – no sign of fun-fatigue in the same way I think I might be getting misery-and-ambition fatigue (and still one more Macbeth to go this year, oh Lord!)

This was an Antic Disposition production in Grays Inn Hall, with an Anglo-French flavour similar to Henry V but luckily not at all harrowing. It was WW2, rather than WW1, which definitely helps.  Messina was a town square, complete with bunting and tables (and an onstage bar which sold drinks – but only during the interval!). We saw the first night which came with the minor additional excitement of power cuts taking out the stage lights, and we were sat at a table in the bar, right in the action.

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Richard III (3)


Temple Church

antic disposition richard iii 01

Antic Disposition have been touring Shakespeare productions round the cathedrals of England for a number of years – this production of Richard III hit minor controversy when it was announced it would be performed in Leicester, where the man himself is buried. The director promised that this would be a sensitive production, but that “The play is the play and there is no doubt in it that he is the villain.” So I was interested to see how they tackled that particular dichotomy.

The answer is – with a modern-dress performance that downplayed the stately tyranny in favour of a more personal villain, and used the closeness of the audience to create a claustrophobic and haunting evening.

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No offense i’ th’ world


Well, a bit of a storm blew up this weekend when it emerged that Shakespeare in the Park, a venerable New York institution which has been putting on productions in Central Park since the 1950s, is this year staging Julius Caesar in modern dress with a titular character who is blonde, has an eastern European wife, and (no spoiler to anyone who knows the play) get assassinated.

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