King Lear (2)

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I hadn’t felt up to tackling another Lear after the National’s electrifying production with Simon Russell Beale, all the way back in 2014*. But having heard so many good things about other Chichester Festival productions, and being a bit of an Ian McKellen fan, I decided this was a production I couldn’t, or maybe shouldn’t, miss.**

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Much Ado About Nothing

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Antic Disposition – Grays Inn Hall

much-ado-2018

Photograph by Scott Rylander

Ah Much Ado. This was my fifth production in five years and it was every bit as enjoyable as all the others – no sign of fun-fatigue in the same way I think I might be getting misery-and-ambition fatigue (and still one more Macbeth to go this year, oh Lord!)

This was an Antic Disposition production in Grays Inn Hall, with an Anglo-French flavour similar to Henry V but luckily not at all harrowing. It was WW2, rather than WW1, which definitely helps.  Messina was a town square, complete with bunting and tables (and an onstage bar which sold drinks – but only during the interval!). We saw the first night which came with the minor additional excitement of power cuts taking out the stage lights, and we were sat at a table in the bar, right in the action.

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Othello (3)

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Shakespeare’s Globe

I was back at the Globe for the hottest day of the year thus far, a strange contrast with the first Othello I saw, back on a damp and mizzy February day – the only link being that both were in Shakespearean venues. It was also my first time standing since the raising (and re-lowering) of the stage, and I’m happy to say that hanging off the edge is as glorious an experience as it used to be.

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